望瓯·艺术中心 | 艺术家分享 Vibhutiben Nanjibhai Kakdiya

龙泉旅游

2024-10-09 17:21

本期艺术家

ARTIST

Vibhutiben Nanjibhai Kakdiya

印度

Indian

她的作品无界无垠，既是存在也是虚无；将平凡转化为想象，披上现代华服；融合创新，挑战传统，旨在打破美学桎梏，拓宽解读视野。新作《My Fantasy Space》更展现了她对形状与自我性格的深刻探索。

Her works are boundless, both existence and nothingness; they transform the ordinary into imagination and put on modern costumes; they integrate innovation and challenge tradition, aiming to break the shackles of aesthetics and broaden the horizons of interpretation. Her new work “My Fantasy Space” is a profound exploration of shapes and self-personality.

创作

CREATIONS

Vibhuti的艺术是一场深入探索空间和存在的旅途。她通过作品将平凡的平面表面转化为充满想象力的领域，其中形态浮现并创造出自己的存在，模糊了现实与幻想之间的界限。Vibhuti主要使用丙烯颜料进行创作，同时利用布料和纸张来增强作品的纹理，并进一步追求深度和维度的表达，甚至涉足陶瓷创作以实现这一追求。

Vibhuti's art is a journey that delves into space and existence. Through her work she transforms mundane flat surfaces into imaginative realms where forms emerge and create their own existence, blurring the line between reality and fantasy.Vibhuti works primarily with acrylics, while utilizing fabric and paper to enhance the texture of her work and further pursues the expression of depth and dimension, even dabbling in ceramics in her quest to do so.

Vibhuti的艺术风格始于民间故事的灵感，但很快就扩展到涵盖神话、科幻等多种主题，将这些元素无缝融合成打破传统规范的混合形式。她的作品超越了存在的界限，创造出常常没有解剖结构或身份特征的形态，它们存在于自己的空间中，既存在又缺席。

Vibhuti's artistic style began with folktale inspiration, but soon expanded to encompass a wide range of themes from mythology to sci-fi, seamlessly blending these elements into hybrid forms that break traditional norms. Her work transcends the boundaries of existence, creating forms that are often devoid of anatomical structure or identity; they exist in their own space, both present and absent.

Vibhuti的作品经常装饰着珠宝和现代服饰元素，通过这些元素，她试图打破刻板的美学观念，挑战美的概念本身，并推动解释和理解的边界。她在龙泉望瓯·陶溪川的作品《我的虚幻空间》反映了她对自己创造的形状和图像的深刻联系，通过探索大型形状中的负空间，她深入探究自己的性格和适应性，这些都受到周围空间和人物的影响。

Vibhuti's work is often adorned with jewelry and elements of contemporary dress, through which she seeks to break down stereotypical notions of aesthetics, challenge the very notion of beauty, and push the boundaries of interpretation and understanding. Her work at Longquan Wangou-Taoxichuan, My Fantasy Space, reflects her deep connection to the shapes and images she creates, and by exploring the negative space within large-scale shapes, she delves into her own personality and adaptations, which are influenced by the space and people around her.